For regular folks like you and me, when your employer decides to downsize, or decides that he wants someone other than you on his payroll, you get your walking papers, which are also known as the pink slip. Generally the following message is delivered: We are sorry – your services are no longer necessary or required.
In the world of government trained or hired contract operatives otherwise known as assassins – things work a tad differently. You don’t get called to take an asap meeting in HR, nor do you sit down with a person hired to fire you a la George Clooney in Up in the Air. No, in this world, you get, as Noah Vosen said in The Bourne Ultimatum, the sharp end of the stick.
Vosen also said – “Issue a standing kill order on Jason Bourne, effective immediately”. He later went on to add, “All agents have shoot-on-sight authorization.”
That’s how it went for Bourne, only he proved to be not only unwilling, but also the toughest target they ever went after.
So too is Mallory Kane, played by Gina Carano, in the brand new Steven Soderbergh helmed actioner called Haywire which opened today. The references to Bourne are unavoidable. As are references you might want to make about Jolie’s Salt. Similar stories, different year, different stars. Speaking of stars, Soderbergh, as usual, has cast a rather lengthy list of well-known actors some of whom will be summarily butt-kicked by Ms Carano.
Antonio Banderas, Michael Douglas, Michael Fassbender, Ewan McGregor, Bill Paxton,and Channing Tatum are the male headliners, or nearly the universe of the major male players in this film.
So much for the ‘Who’. Our next question might be ‘What’s it about?’ Aside from the obvious which you can surmise from my intro – that Mallory Kane’s days are numbered – we have missions that aren’t really explained all that thoroughly, motives that aren’t really clear, except when McGregor’s Kenneth says, ‘It’s always about money’.